7/14/2023 0 Comments Arader ortelius marus pacificiPlate 6 from: Theatrum orbus terrarum / Abraham Ortelius. Map of the Pacific Ocean showing part of south-east Asia, America, New Guinea and Terra Australis. National Library of Australia digitised item.geographus lub, merito dedicabat, 1589 Map Bib ID Maris Pacifici (quod vulgo Mar del Zur) cum regionibus circumiacentibus, insulisque in eodem passim sparsis, novissima descriptio / Abrahamus Ortelius, Regiaeae Mts. geographus lub, merito dedicabat, 1589 Wikipedia Citation 1592, Maris Pacifici (quod vulgo Mar del Zur) cum regionibus circumiacentibus, insulisque in eodem passim sparsis, novissima descriptio / Abrahamus Ortelius, Regiaeae Mts. geographus lub, merito dedicabat, 1589 1592 Australian/Harvard Citation Ortelius, Abraham. and Ortelius, Abraham. Maris Pacifici (quod vulgo Mar del Zur) cum regionibus circumiacentibus, insulisque in eodem passim sparsis, novissima descriptio. Noël-Antoine Pluche (1688-1761), known as the abbé Pluche, was a French priest.Ortelius, Abraham. & Ortelius, Abraham. Toms lived in Masham Street, London, and was the father of the painter Peter Toms. Among Toms's apprentices was the engraver and publisher John Boydell. The maps were republished on 29 September 1742, with additional place names. In 1741, he worked with Thomas Badeslade on "Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales". Among his works were the plates for Robert West's "Perspective Views of All the Ancient Churches in London" (1736–1739). He worked on portraits, book-plates, landscapes and prints of buildings. In excellent condition with strong colors and good margins. Sheet size (irregular margins): 6.63" x 8.25". The frame is an antique frame we've reused, originally built by Knoedler Gallery, New York, NY. Recently framed in a Regency style gold leaf moulding with rag matting from Holland and museum glass. Various dealer reference numbers and an old price pencil inscribed in margins and on verso. With two soft vertical folds within paper as issued. Comes from the 1737 volume edition of Noël-Antoine Pluche's "La Spectacle de la Nature", translated from the original French by Humphreys as "Nature Displayed", published in London, UK. Signed in the plate (printed signature) lower right. Benson catalogue raisonne by Adam Paff.Īn original hand-colored engraving on laid paper by English artist William Henry Toms (c.1700-1765) titled "Draught of a Galley", 1737. The second state of two.Ī scarce print with no recorded printings of the second state - presumably, at least two were printed. This introduction to the European etching.įrank Benson made this drypoint in 1928. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.ĭuring the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. The final printed edition of "Three Yellowlegs" was 150.įrank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). There are two recorded impressions of this print making it a rare find. Benson catalogue raisonne by Adam Paff #184. The eight states are listed in the Frank W. The drypoint created in 1920 is a working state, the fourth of eight.
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